Demographic replacement of the White Christian West has advanced so rapidly that for anyone in middle age upwards their younger lives seem to have been spent in a different country. In the entire roll of my high school in the late Seventies and early Eighties there was one Black boy and a few Asian offspring from Indian and Chinese restaurant owners. Now White British children are the minority in many towns and cities.
Our indigenous folk have learned to either pretend that rapid ethnic change is not happening, or (if they want to pursue a career or be seen as a good person) to embrace multiculturalism. The mantra ‘diversity is strength’ is repeated ad nauseum, despite the reality of a broken society, bereft of shared social norms, traditions and belonging.
This was all planned long ago. The alleged architect of this ethnic mixing was Austrian aristocrat Richard Coudenhove-Kalergi, whose book Practical Idealism (1925) envisaged a future Europe of a unified and borderless continent, with racial differences dissolved through interbreeding with Africans and Asians. Coudenhove-Kalergi described White Europeans as intelligent but cold (befitting their climate), Africans as less smart but warmer, and the Jews and Chinese having the ideal character and intellect. The latter traits, he implied, would lead to a new nobility.
Fleeing to the USA when Austria was annexed by Nazi Germany, Coudenhove-Kalergi’s work on American policy for post-war Europe was seminal to the European federalist project. Yet he is rarely mentioned in official narratives on the European Union. I suspect that the authorities don’t want ordinary European people to know too much about the man and his radical demographic design.
Conspiracy theorists believe that the ‘Kalergi Plan’ has been enacted through mass immigration, which has rocketed since the elevation of the European Economic Community to European Union superstate, and consequent dismantling of sovereignty and border control. Alongside the unprecedented influx is the ubiquitous depiction of biracial couples and blended families in advertising, with White heterosexual males only cast as fools or bigots. Whose agenda does this serve?
Kalergi is not someone that you can discuss openly, as anyone referring to his projected mongrel race risks accusation of anti-Semitism for associating with the scurrilous notion of a Zionist plot against Christianity. However, I found myself discussing him in the café a few days ago. A friend who is both a critic of uncontrolled immigration and an encyclopaedic fount of knowledge on popular music brought to my attention a group from before my time. ‘Have you heard of Blue Mink?’ No, I hadn’t.
Back in 1969 this band of six, comprising five White men and Black singer Madeline Black, released a song promoting racial harmony. You probably haven’t heard ‘The Melting Pot’, for reasons that become clear from the lyrics.
Take a pinch of White man, Wrap him up in Black skin,
Add a touch of blue blood, And a little bitty bit of Red Indian boy.
Oh, curly Latin kinkies, Mixed with yellow Chinkees,
If you lump it all together
And you got a recipe for a get along scene;
Oh what a beautiful dream
If it could only come true, you know, you know.
What we need is a great big melting pot,
Big enough to take the world and all it’s got
And keep it stirring for a hundred years or more and turn out coffee-coloured people by the score
Rabbis and the friars
Vishnus and the gurus
We got the Beatles or the Sun God
Well it really doesn’t matter what religion you choose
And be thankful little Mrs. Graceful
You know that livin’ could be tasteful
We should all get together in a lovin machine
I think I’ll call up the queen
It’s only fair that she knows, you know, you know.
What we need is a great big melting pot
Big to take the world and all its got and keep it stirring for a hundred years or more
And turn out coffee-coloured people by the score.
Politically incorrect terms such as ‘Chinkee’ are verboten nowadays, whatever the context. The song had a rare airing in the BBC comedy series The Alan Partridge Show, which depicted a radio DJ in a rural backwater, and playing ‘The Melting Pot’ was a typical gaffe. Recently it was played on the retro pop radio station Gold, and a single complaint to the broadcast regulator Ofcom led to the corporate owner Global banning the song from playlists.
But I was more interested in the message, rather than contrived offence. The last line suggests this song as an advertisement for the ‘Kalergi Plan’: the melting pot culminating in a ‘coffee-coloured people’. Had the group’s song writer Roger Cook heard of Kalergi? It seems quite a coincidence if he hadn’t.
The song reached number three in the British pop chart, an outstanding success, as well as number 10 in Australia, and also reached number 11 in Ireland. “Melting Pot” reached number 2 in New Zealand. The Blue Mink probably thought that they’d follow in The Beatles’ tracks and go big in America. But the lyrics were perceived as too controversial. Instead, a cover version titled ‘People are Together’ was released in the USA, but this got little air play due to radio stations’ fears about listeners’ reaction.
Was ‘The Melting Pot’ an example of Predictive priming? According to DJ and music analyst Mark Devlin, the massive impressionable audience makes pop music an ideal medium for the powers-that-be to prime youth for radical social engineering, a cloak of anti-establishment rebelliousness masking the authoritarian motives.
The song could have become an anthem for today’s ‘refugees welcome’ virtue-signallers. But it’s too blatant. The Georgia Guidestones were destroyed three years ago, probably because of growing awareness of the globalists’ depopulation agenda (one of the secular ten commandments was to reduce the world population to 500 million). Dystopian designers do not want Kalergi and his coffee-coloured race in public discourse. They prefer to work in silent stealth.
Perhaps we should relax, and accept the happy theme of ‘The Melting Pot’, but I suspect the song was used for subtle messaging of what was planned for Western society. The intent is not harmony, but demoralisation — which makes us easier to control.
